But the exhibition has been in lockdown at the Saatchi Gallery in London since early March, and the Egyptian Ministry of Antiquities is keen to have the artefacts return home as construction of the Grand Egyptian Museum nears completion.
Exhibition organisers IMG confirmed the artefacts were being stored in London and the Boston and Sydney openings would be postponed due to the health concerns and uncertainty caused by the global health crisis.
“As you can imagine, staging an exhibition of this stature is very complex, with the schedule planned years in advance,” IMG said.
“We are in discussions to determine next steps with our partners at the Ministry of Antiquities, as well as those in host cities including the Australian Museum.”
In a statement, the Australian Museum and Destination NSW said they were working with IMG and hoped to confirm more details as soon as possible.
More than 2.7 million visitors went to see Tutankhamun’s treasures in LA, Paris, and London before the lockdown. As many as 800,000 visitors were expected to flock to the Sydney show, which was cited as a prime reason for a $57.5 million upgrade of Australia’s oldest museum, including alterations now underway to the Crystal Hall and the central circulation space that are on track to open in spring.
The museum’s Pacific collection was controversially relocated as a result of the expansion. Former arts minister Don Harwin declared the exhibition a game-changer.
“The safety of our visitors, partners, staff, and these priceless artefacts remains our top priority, and we are working hard to be able to confirm more detail as soon as possible,” producer IMG said in a statement.
The Australian Museum is trying to lock in another exhibition to take it place but coronavirus has shrouded forward schedules in uncertainty as international border closures, mandatory quarantine and health concerns are making it difficult to bring significant works and artists into the country.
Such blockbuster exhibitions are often several years in the making and galleries and museums rely upon them to bring visitors through their doors each year.
The AGNSW said it was in discussions with France’s Centre Pompidou to find a new date for its exclusive Matisse: Life & Spirit, which was due to open in November and would have been the largest single exhibition of Matisse’s work to be held in Australia.
The MCA has pulled the pin on its Doug Aitken exhibition, which would have been the American artist’s first major survey of his artwork in the Southern Hemisphere. To take its place, the MCA plans to bump its major survey of Australian artist Lindy Lee from July to October, with the hope of reviving the Aitken show for winter next year.
Both exhibitions were part of the state government’s annual Sydney International Art Series, which has been a regular fixture on the cultural calendar since 2010 and has attracted more than 2.3 million visitors to both galleries and 219,000 overnight visitors to the city.
The death of the blockbuster, at least in the short term, is likely to result in more Australian-focused shows, and greater loans between Australian institutions.
The National Gallery of Australia has not yet cancelled its Botticelli to Van Gogh Masterpieces from the National Gallery, London show scheduled to open in early November. However, the art is currently at the National Museum of Western Art in Tokyo, which remains shuttered as the city copes with a second wave of coronavirus, and was also due to head Osaka’s National Museum of Art in July, before coming to Sydney.
The NGV has rescheduled its exhibition of French post-impressionist painter Pierre Bonnard exhibition, due to open on Friday, to 2023.
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Linda Morris is an arts and books writer at The Sydney Morning Herald
Melanie Kembrey is Spectrum Deputy Editor at the Sydney Morning Herald.