Telling someone that there’s an errant herb stuck between their teeth or a dot of sauce just below their lip is likely to spur embarrassment, so noting that they’re covered in egg or raspberry or a gloopy mound of ketchup might be too much to bear. Harriet Moutsopoulos, though, helps her subjects save face by completely masking their distinct features with singular bites of fruit, bowls of ice cream, and slices of salami, ensuring their anonymity.
The Australian artist, who works under the name Lexicon Love, combines found portraits and edibles into strange collages. Although her techniques are digital, Moutsopolous often considers analog practices, preferring basic technologies to programs like Photoshop or Illustrator. She also imposes limits of two or three elements to maintain the integrity of each piece. “The most significant challenge for me is giving each artwork the slight imperfections of hand and the general look and feel of being made entirely from traditional, analog practices,” she says.
Moutsopolous tells Colossal that she’s “drawn to the surreal and unsettling and try to inject that into my work where possible, always seeking out the unexpected connections between humor and tragedy.” At times both comical and unsettling, the bizarre compilations inspire questions about the subjects’ identities. “On the surface, this absurd combination appears to reject any sense of reason (an extension of my own twisted sense of humor). However, obscuring the faces of my portraits with food is designed to not only challenge traditional notions of beauty but also to provoke, tease, and confuse the observer,” the artist says.
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